Movie Reading : Happy New Year

Happy New Year, by far the most awaited film of 2014, breaking all earnings records, and continuing to do well across the world.

Sometimes I wonder what makes a movie successful. No matter how much we criticize the over-the-top performances and scenes which require no application of any senses, Farah Khan is always able to mix all other ingredients well enough to make her movies phenomenal successes, be it Main Hoon Na, Om Shanti Om or Tees Maar Khaan. The common theme across these 3 movies and Happy New Year is that all of them are no brainer and require zero application of IQ. The ending is pretty much known and the only motivation to see the movie remains how the characters reach that ending. But still they are successful.

So basically, get a superstar, make some ridiculous story having badla (revenge) as main theme, get some stupid jokes and spoofs on old movies, garnish all these with patriotism, and bingo!!! You gonna cross 200 crs in no time. In 2 lines, that’s what HNY is.

Let's talk a bit more about it. First of all, IT IS definitely a long movie. The time when theatre  shows used to be “12 se 3, 3 se 6, 6 se 9 and 9 se 12” is over and no one wants to see a predictable movie with some cheesy and cheap kind of performances for 180 minutes. Still, it is a light hearted movie (if not laugh, you would smile at least). It contains lot of spoofs on SRK’s own movies and many slow motion scenes. Showing the scenes normally would surely have reduced the movie’s long duration by 10-15 minutes.  

OK. Enough criticizing. The movie is not as bad as you might be feeling after reading till now. The refreshing thing about this movie of Farah Khan is lesser screen time for SRK and entry of female lead (though she is not a lead in strictest sense) after an hour of the start. I mean, in which movie you make someone like Deepika make her entry after one hour? HNY is not a one-man show. All actors (all of them losers) make a good amount of contribution and you do remember a thing or two, good or bad, about each of them in the end. Abhishek Bachchan could not have fallen lower than this, but he makes you puke and smile at the same time. Boman Irani is flawless as ever. Don’t know who taught acting to Sonu Sood. And Deepika, well, good performance as a side actor. One second, there is Vivaan Shah too, who doesn’t do anything other than hacking.

More than once, SRK says,

“Duniya me sirf do tarah ke log hote hain, winners and losers, aur zindagi har loser ko winner ban ne ka ek chance jarur deti hain”

Each character is shown as a loser, a good for nothing person. But every one of them is best at doing one specific thing and SRK identifies that one thing, makes a formidable team and make all of them a winner in the end. Not only that, as captain of the team, he finds out what motivates each team member and ties his larger goal to others' smaller goals. Now this is called managerial acumen. 

HNY is a simple movie and the sole message comes through the movie is importance of team work, coordination, making people agree, handling conflicts and taking spontaneous decisions when things do not go according to the plans. Are there better movies than this depicting all these things? Of course yes. But they are more serious type of movies, they are for people who like to find logic in most things, for people looking for intellectual gratification, and they do not have SRK. So, if you are one of those people and you are not really a fan of SRK, HNY is not your cup of tea, therefore staying away from it will be beneficial for you.

BUT, if you ARE a die-hard fan of SRK, or you just want some light entertainment, which doesn’t require application of your left/right brain and you are ready to give 3 hours of your time (without forwarding some useless scenes), you will not really feel so bad after watching HNY.

In the end, dialogue of the movie:

“Kismat badi kutti cheez hoti hain, saali kabhi bhi palat jaati hain”.

Towards the end, which transforms into a more meaningful one:

“Kismat bahut sahi chiz hoti hain, agar iraado me dum ho toh saali palat hi jaati hain”.

Movie Reading : Dil Chahta Hain

A very popular movie indeed, liked by most of the people. I watched it for the first time recently and perhaps the reason why people liked the movie was their ability to connect with its characters. They could understand and justify reasons behind the decisions taken by the protagonists. Dil Chahta Hain kind of movies can only be relevant for a specific generation and I doubt if such 3 hours-long kind of movie would have been equally popular and relevant to current generation in case it was released in today’s times. The sole point that can work in its favour today is depiction of friendship.

So, primarily, it is a story of true friendship and on multiple occasions it emphasizes the importance of this support system. Remember when Shalini (Preity) leaves for marriage the 1st call Aakash (Aamir) gives is to Sameer (Saif). Or when Sameer decides to tell Pooja (Sonali Kulkarni) that he loves her. He tells to Sid (Akshaye):

"Tu wapas aa gaya hain, and I feel stronger ki tu mere saath hain"

Apart from the friendship angle, each guy’s love story is also shown and the common thing in all 3 love stories is that each of them loves a girl who is either married or going to be married with someone else. That becomes one of the reasons for hiding feelings for their love. The movie gives a simple message: tell the other person what we feel. But we do not do so, why? Two reasons: first, we are not able to understand ourselves, we are not sure about what we feel for the other person. And second, when we get sure, we are afraid of letting out feelings known to the other person. Afraid of losing that person. At that point of time, we need someone to push us, and tell us to not keep the things inside and let the other person know. That someone, who promises to be still there if we fail. That someone, can be a friend, can be parents or any one close to us.

In case of Aakash, when his father says

"Duniya me bahut si aisi chize he jo hamari samajh ke bahar hain. Insaan jab koi faisla karta hain to us faisle ke piche koi wajah hoti hain."

The problem with majority of us is that we assume about the other person. We satisfy/torture ourselves by coming up with some reason for their actions. That makes an already complicated life more complicated. How easy would life have been if people could simply let their feelings known to other people.

The role of Aakash was first given to Akshaye Khanna, but I do not think anyone other than Aamir could have portrayed that role perfectly. The character changes from “a-girlfriend-for-2-weeks” kind of person to “kill-someone-for-his-love”. I am sure you would know some people who are extreme in their behaviours. They are intense in what they do, be it love or hate. Aakash is one of such character.

The scene where Aakash and Shalini have lunch together and Aakash talks about his philosophy of love has some subtle messages. One being, there is no need of asking any questions and giving any answers in love. And second when Aakash says,

"Maine pehle se hi faisla kar liya tha ki pyaar karke apni jindagi barbaad nahi karuga."

And Shalini replies,

"Lekin pyaar faisle se nahi kiya jaata, bas ho jaata hain."

Shalini’s character was somehow contradictory. She says Shadi karne ke liye pyaar hona jaruri hota hain but still decides to marry Rohit. If she really believed in what she said, things could have been different. No?

Sid’s (Akshaye) character is of a moderate, sensible guy, who is practical, and understands others. Sid also shows the power of art to demonstrate someone’s personality. In case of an artist, if you closely look at how he/she draws, or composes music, or writes stories, you can get a feel of what kind of a person he/she is. The scene where Dimple relates the closed eyes, closed doors in Sid’s paintings to his closed personality pretty well describes this.

There are many other good scenes which have some meaningful messages if you would try to listen the dialogues carefully and understand them. Scene at Chapra fort, the opera scene of Shalini and Aakash, the last dinner scene before Shalini leaves Australia, the scene when Dimple gets to know that Sid loves her. The scene when Sid and Deepa sits on a beach and Sid says,

"Is ret ko dekh rahi ho? Jitni jyada koshish karo ise pakadne ki, utni hi ungliyo ke bich se nikal jaati hain."

Some relations are better left uncontrolled, in fact, the more we try to control people, more the situation gets worse.

Finally, each relationship has its ups and downs. Even friendships go through them. The more mature a relationship is, better the chances of handling the challenges. When Sid slaps Aakash, Aakash gets so angry that he does not even talk to any of his closest friends before going to Australia. Just a simple sorry by any one of them could make so much of a difference to their friendship. Alas! We are so ashamed of admitting to our own mistakes, even after realizing them.

 

Some nice dialogues in the end,

"Kiski jindagi kise kaha le jati hain kya pata." - Sid

"Ajib zindagi hain, kuch rishtey hote hain, jinka koi naam nahi hota." - Dimple Kapadia

Hope you enjoyed the reading. 
Hit on share if you really liked it. Thanks :) 

Movie Reading : Love Aaj Kal

There are only a few movies which you are willing to watch anytime and anywhere. No matter how many times you have already watched it, no matter if you have remembered each scene and almost every dialogue, you get completely immersed in it and forget everything. For me, Love aaj kal is one of such 2 movies. (Other one being Jab We Met).

As the name says, the movie is supposed to show love of present (Aaj) and of past times (Kal). How love itself has evolved, how our perception of it has changed, and what is still same in both kinds of love. And it does serve that purpose beautifully, with overlapping scenes of the 2 ‘loves’, occurrence of somewhat similar situations and at some points, same places as well. Showing of Howrah Bridge of India and Golden gate bridge of US one after the other many times, tries to illustrate the influence of western culture and values on Indian love. The protagonist of Kal (Veer) drinks black tea, and of Aaj (Jay) drinks black coffee. Just another subtle way of putting across its point.

Just a few lines about the old love story. You will find lot of sweet moments in Veer and Harleen’s story, such as, following the girl secretly, travelling 1000 miles just to get a glimpse of her, falling in love without talking to each other even once. I think the impracticality and illogicalness of their story are what make it sweet. As Jay says while making fun of Veer, for deciding to marry Harleen,

"Abhi tak hello how are you nahi hua, aur aapne shaadi ka plan bana liya, aur wo bhi har janam me."

But its Jay and Meera’s story that gives pace to the movie and make it worth watching. A story of two practical, logical, mango people who take all decisions about their relationship being rational. Were those decisions absurd? May be, but that’s how we think in today’s world and their reasons seemed justified to me. Do we not give importance to our career, are we not serious about it, more than relationships. This line from Veer to Jay sums it up,

'Tum zindagii me itne serious ho ki Meera se alag ho gaye taki tum apna kaam kar sako."

Will you give up your career, your dreams, just to be with someone whom you are not even married to? I don’t think so. We move on, life changes, and things get normal again, right?

For Jay, the talk of soul-mates is rubbish, he doesn’t bother to know what love is, he is someone who can’t be upset for too long and moves on easily. He says he has fallen in love at least 15 times. Still, he feels insecure every time Meera talks about Vikram. I loved the scene when Jay tries to justify himself for breaking up and someone else touching his ex-gf:

"Mere paas na dil hain, na dard hain aur na mujhe chahiye. Mujhe koi pratigya nahi leni aur 1000 mil dur nhi jaana kisi ladki ki shakal dekhne ke liye. Toh main chod sakta hu, jaane de sakta hu, kyoki jindagi badalti rehti he, chalti rehti hain aur hume uske saath chalna padta hain."

But his expressions do not match the words. It clearly shows that he is making fool of himself. It’s simple, we always think we take right decisions. And we find our own reasons to justify those decisions, right, wrong, doesn’t matter. Somewhere inside, we know we have done wrong, and believe it or not, it shows when we try justifying those decisions.

Another memorable scene is in India, when they break up second time, and Meera decides to not meet Jay again, ever, because she wants him out of her life. Another practical and rational decision.

"Yeh tum wali feeling, aadat. Lets get real, iski jagah nahi he hamari life me. Mujhe wo jagah khali chahiye jisme koi dusra aa sake."

I also liked the scene, when Jay reveals his feelings, though ambiguously. Still afraid of accepting love, still afraid of accepting something like soul mates. He keeps saying he is all right, again making fool of himself. He accepts he could have even married Meera is she would have forced her. And the dialogues totally match the fight he is having within.

"Soulmates, do log jo ek dusre ke liye bane hain, aur wo sari bakwaas jo veer singh apni coffee shop me karta hain, pata chala wo sach hain toh?'

"Isme shatter hone wali koi baat hi nahi he, matlab ye nahi ki main shatter ho raha hoon."

From the 1st breakup scene, expressions of Meera suggests that she loves Jay but wants him to realize and say it to her. When Jay comes to see off her forcibly by Veer, and she says,

"Pata hain main wait kar rahi thi tumhara. Tum nahi aate toh main raaste bhar restless rehti."

And later on, when her husband (Vikram) asks her to tell Jay and she says,

"Jay ko ab tak pata nahi chala hain, wo ab tak nhi jaanta. Jab jaan jayega, agar jaan paya toh aa jayega."

You might have seen many movies where the guy waits for his love to come back (Veer in Veer Zaara, Samar in Jab tak hain jaan, Dev in Dhadkan), this is one where the girl waits, for her love to come back. But not like our male protagonists. She is not like Samar (SRK) in Jab tak hain Jaan who wants to try dying every day unless he gets his love. Not like Veer (SRK again) in Veer Zaara who suffers for years in jail for Zaara’s dignity. That does not happen in real life. Meera isn’t like them. She thinks practically, does everything to move on, breaks up with Jay not once but twice, dates someone else, and even gets married. This made the movie so real. But why she marries Vikram if she still loved Jay? Well, she is modern, rational, Vikram loved her. And she would have thought that with time, everything will be all right. You know, being practical?  

But her decision to end the marriage the next day, be alone and simply wait for Jay was contradictory to what her character was shown till then in the movie. I think it was done to make sure that movie’s ending is good and Jay & Meera meet anyhow.

Few other bits and pieces that I liked. In two of the scenes, the movie shows that you feel closer to the one you love, on doing the same thing that he/she does. Though Deepika feels like puking on seeing Jay having black coffee, later on she starts having it. Similar thing happens when Harleen takes a sip of black tea, feels like puking, but continues to drink it.

Imtiaz ali is one of the best writers that Bollywood has, and though people can find many reasons to not like the movie, it is the writing and the way two love stories are compared and told which make the movie worth liking. But once you understand it, you will love it.

In the end, my favourite dialogues:

"Aisa kyo hota hain. Chahe kitni bhi baar bye bol do, jaane ke pehle aakhri baar milna kyo jaruri hota hain."

"Romeo and Juliet, Heer Ranjha, Laila Majnu, by the way tumne notice kiya hain desi love stories me hamesha ladki ka naam hamesha pehle aata hain."

"Hum log ordinary log hain, aam janta, the mango people. Hume mar ke amar nahi hona hain. Hume saath rehna he, isi janam me saath rehna hain."

Movie Reading: Jab Tak Hain Jaan & Why I love this movie?

After watching this movie, most of my friends’ responses have ranged from calling it ‘waste of time and money’ to ‘utterly ridiculous and unrealistic’ story. You know, that “aisa bhi hota he kya?” syndrome. Yes, it may be unrealistic, but so are movies like Inception, HP series and our own koi mil gaya and sallu bhai’s numerous movies. Aren’t they unrealistic? Still the same people love them. So, first of all, let’s throw the need (rather want) of ‘reality in a movie’ out of the window. Then comes inter alia screenplay, actors and their performances, music, dialogues and so on. And Jab Tak Hain Jaan scores high on all these. It does go overboard in one or two scenes, but well, exceptions are everywhere.

This is not a movie to be watched for intellectual satisfaction and I like the movie for its wonderful locations, beautiful people, melange of emotions shown and the complexity of love, how much unreal the story may be. Without further ado, let’s read the movie now.

I don’t know how much thought and time is given while deciding on names of characters in a movie, but I have not found such fitting naming of lead characters as in JTHJ. SRK’s name Samar means war in hindi, signifying the war that he fights with God every day to either make god take his life or give back his love. Katrina’s name Meera, as indian readers would be aware, is known for her sacrifices for love of Krishna, the god. And Anushka aka Akira, is a Japanese name meaning ‘bright’, ‘intelligent’, ‘cheerful. That’s what Anushka’s character is all about.

Central theme of the movie is waiting for one’s love to come to him/her, as in Veer Zaara (also by Yash chopra). It tries to make the point that time has to bow in front of true, selfless love. You just have to hang in there and wait for the right time. 

“Har ishq ka ek waqt hotaa hain, wo hamara waqt nahi tha, iska ye matlab nahi ki wo ishq nahi tha”

And

“Pyaar ke saamne toh rab bhi jhuk jata hai, ye toh waqt tha, isey to badalna hi tha”

Katrina’s character Meera is one who keeps bargaining with god. She promises to leave things like chocolate, cigarette etc. if some of her wishes gets true. That seemed hard to digest for many people. But if that is unrealistic, what do we call our Mannats. Don’t we also bargain with god, promising to walk some miles, or donating some money in temple if we get something which we want badly? It was overdone a bit but she believed in it. That belief shows when she starts the bargain on the road itself on Samar’s first accident.

Anushka (Akira) is a winner. Unafraid, realistic, ambitious. Can do anything to get what she wants. Someone who has never lost in life, never failed. And life fails her by making her falltotally, completely, madly in love with a guy who loves someone else.

"Main hameshaa se hi topper rahi hoon, studies, sports, national level swimmer hoon."

"Mujhse rejection sehen nhi hota, koi mujhe chhode iske pehle me hi use chodd deti hoon."

It is difficult for us as well to tolerate rejection. These little things make her character most realistic. We generally like to see things as good or bad, white or black. Not thinking about numerous shades of grey. Right? That makes Akira uncomfortable as well, when she says to Samar:

"Itne complicated kyo ho yaar tum? Na toh koi tumse khul ke nafrat kar sakta hain, aur na hi pyaar"

Another key message the movie gives is having a passion, or fitoor for something in your life, holding onto it and doing anything to achieve it. Samar’s fitoor was Meera, for whom he fights with god every day. Akira’s fitoor was to make documentary on Samar to get the job and she did everything to do that, be it convincing her boss, or being alone girl staying with army men for 2 weeks. There is a nice dialogue when, after replacing her camera, Samar says to her:

“Jab kisi chiz ka fitoor ho aur wo nahi milti, toh banda life bhar uske piche paagal ho jata hain. Ek paagal tumhare saamne hain aur dusre paagal ki yaha jagah nahi hain.”

Such words.

I can go on and on, about the proposal scenes, or when Samar and Akira say goodbye and more. But would stop here. In short, I loved the movie and every time I watch it again, I watch it for the scenes, background music, and performances. And for dialogues? Of course.

Finishing with some meaningful and my favourite ones:

"Jo Dil Jeet te hain, wo kabhi Haarte Nahin."
 "Yaaddasht bhi kitni ajeeb chiz hoti hain, kisi chiz ko puri jindagi bhulne ki koshish karo, wo bhulti nahi. Kabhi ek choti si chiz yaad karne ki koshish karo toh yaad nahi aati."

Movie Reading : The Notebook

Was it a Hollywood movie? Throughout the movie, I could relate with multiple Bollywood movies. For instance, Young romance (Qayamat se Qayamat Tak), waiting for love to come back (JTHJ), poor guy-rich girl-family against marriage (Raja Hindustani), and the old couple-guy-telling the story (U me aur hum). And finally a happy ending (almost all our movies).

Most vital scene is when Allie wants to go back and cannot decide whether she should marry Noah (her first love) or Lon (her fiancé). And Noah says

"Will you stop thinking about what everyone wants?! Stop thinking about what I want, what he wants, what your parents want. What do you want? What do YOU want?"

Sometimes you need to just care for yourself and follow what your heart says. Keeping everyone happy is not possible. Those who really value you, will understand and be with you always. It may look selfish at that point of time, but in longer term, you will appreciate that it was the best thing to do.

People fall into love, break up, time goes by, someone else comes and they seem to fall in love again. But the person with whom life should be spent is one with whom one can be totally himself/herself.  

Allie:

"I love you too. It's just that when I'm with Noah I feel like one person and when I'm with you I feel like someone totally different."

The way Allie felt with Noah happens to be her real self, who loves to paint, who doesn't care about money, who wants to laugh and have fun. Her real self comes out in every scene with Noah, especially the one in which they lie on the road and watch the lights.

The movie also shows that all differences fade when you are just crazy about each other. It's not necessary that love happens only between people who are similar, who like similar things.

"They didn't agree on much. In fact, they rarely agreed on anything. They fought all the time, and they challenged each other every day. But despite their differences, they had one important thing in common. They were crazy about each other."

That craziness was the reason perhaps why Noah could not forget Allie. He re-built the house to keep his promise made to her, thinking that will make her come back to him. That craziness was well, love.

Some other nice dialogues:

"It was an improbable romance. He was a country boy, she was from the city. She had the world at her feet while he didn't have two dimes to rub together."

"When I see something I like, I gotta have it... I love it. I go crazy for it."

Movie Reading : Haider

The difficulty with a period film, also set up in a particular location like Kashmir is that you cannot easily connect with what the characters are trying to portray. Haider falls into such category. Central theme of the movie is revenge which is common in a number of Vishal Bhardwaj’s movies (7 Khoon Maaf, Kaminey, Omkara etc). Even then, this movie keeps you on the edge of your seat with sterling performances by Shahid, KK and Tabu.

Full storyline gets summarized in the Bismil song, where the idea is directly being picked up from Ek haseena thi song of Karz. (Difference being use of puppets instead of real actors). Haider is also a movie which shows intense emotions and how can the want of revenge destroy oneself and others around.

The best scene is Haider’s short speech to a crowd at Laal Chowk, very well depicting the condition of Kashmiris and their disappeared relatives at that point of time. He explains AFSPA and calls it chutzpah “besharam gustakh”, also uttering the controversial dialogues about India and Pakistan.

Hum hain ki hum nahi, hum hain to kaha hain aur nahi he toh kaha gaye. Hum hain toh kisliye aur kaha gaye toh kab. Janaab, Hum the bhi ki the hi nahi. Chutzpah ho gaya hamare saath.

Haider’s father, a doctor who saves lives, shows how going through bad experiences can change your inner character. When asked if he is on militants or army’s side, he says

“Main zindagi ki taraf hu”

and later on he himself wants Haider to kill his brother in a highly gruesome manner.

Haider, mera inteqaam lena mere bhai se... uski un dono aakh mei gooliyaan daagna, jin aakho se usne tumhari maa par fareb daale the.

Some dialogues are repeated more than once such as

“Mere nazriye se bhi dekho”.

How often we impose our perception on others and do not try to understand them. On a sidenote, there won’t be any conflicts in people’s lives if they could see other person’s viewpoint.

And

“Inteqam se inteqam hi milta hain, azaadi nahi”

aptly confirms to “eye for an eye, makes the whole world blind”

And finally, a very special performance by Irrfan Khan, daring entry with loud backgrouund music and the gravedigger's song "Aao Na". Unforgettable.

You will like the movie if you appreciate superlative performances and beautiful scenery of Kashmir valley. Even if you don’t like it, at least you will learn to use the word “chutzpah” :)

A very pertinent dialogue in the end:

“Jab do hathi ladte hain, toh ghaas hi kuchli jaati hain”.

Movie Reading : Humpty Sharma ki Dulhaniya

So I started watching this movie on impulse at 1:00AM. And unexpectedly, it was an enjoyable, not a boring watch for 2 hours. It’s a simple movie, shot in Delhi and Panjab (not in exotic locations as that of DDLJ and stuff), it doesn’t have superstar cast, and it is not complex like Jab tak hain Jaan (though I love JTHJ, more on that sometime later).

Best scene of the movie is the very convincing monologue by Humpty to Kavya’s father. He accepts that he is way less than Angad (Kavya’s fiancé) in every aspect. Angad is rich, highly educated, body builder, does not drink, a kind of guy who every father wants her daughter to get married to. He admits that Angad is a big tree and he is a plant, chota sa, phuddu sa. He has many imperfections, but one thing he guarantees is that he will immensely love Kavya.

“Bandey perfect nahi hote, rishtey perfect hote hain."

No one is perfect in this world, rather than accepting the fact, isn’t it that people try to change themselves? Become a better person, but don’t change yourself for someone. During one scene, when Angad doesn’t come for jogging and Humpty comes, Alia’s father says Angad does not come for showing off. Humpty says he comes for Kavya, not for showing off. When he is asked why doesn’t he leave smoking, he says he can learn the good qualities of Angad bur cannot change himself.

“Kavya ke liye main better insaan ban sakta hun, lekin badal nahi sakta.”

The movie also talks about our inability to control the results of our actions. In one dialogue the grandmother says

"Aaj kal rab ka apne bando pe control nahi raha, tu kisi ki kismat kya control karega."

 We don’t want to leave control of our life but do not understand that consequences of what we do are out of control from us.

Kavya’s character is that of a modern girl, who does small frauds, drinks a lot, (“Tu bottle sunghta rahega, aur meri khatam bhi ho jayegi”) But she is good at heart. When she and humpty cheat a woman for money and she gets her marriage jewellery, she return is with a sorry. She is practical. Even though she falls in love with Humpty, she is ready for arrange marriage. And she would have even married Angad if Humpty would not have come to Ambala.

Finally, it’s a story of true friendship as well. Humpty, poplu and shonty are like best friends who get beaten by goons for their friend and are always with him. They do not judge each other’s choices, even if they are inappropriate. I mean which friends will give you money for buying a 5 lac lehenga for a girl who is not even your girlfriend.

In the end, some nice dialogues:

“Friend request bheju to despo, nahi bheju to attitude. Bhai, bhola ladka kare to kya kare.”
“Peene ke baad insaan out of control ho jata hai, dimaag ke badle dil se sochne lagta hai. I like to be in control.”
“Kuch rishton ki umar hi choti hoti hai.”
“100% original fake hain ji."